Relating being in a restaurant for inspiration, Al Jolson's opening number was "Chinatown, My Chinatown." After the number, enjoy a bit of bantering between Al and Oscar, with a few Larry Parks jokes thrown in for good measure.

Oscar Levant then sat down at the piano for one of his favorite Music Hall numbers, the Grieg "Concerto."

Edited in very nicely, enjoy this interpolated rendition of "Nearest Thing To Heaven."

Back to the original show, Levant tickles Jolson with a medley of Spring songs, including "White Christmas," "The Last Rose Of Summer," and Mendelssohn's Spring Song. Well, this was a comedy! But Jolson let a young man's fancy turn to love, and sang a "perfect song for spring," "A Pretty Girl Is Like A Melody."

Jolie welcomed George Jessel to the Music Hall next, and they spent a few minutes throwing barbs back and forth. Eventually, they cast back into their youths, and spend some time recounting their careers.

After a cut commercial, Jolson next soloed with a song only he could sing, "Let Me Sing, And I'm Happy."

And then, Jolson and Jessel set themselves up as minstrel end men, with Levant as Mr. Interlocutor. Listen to Jolson's put on accent, and compare it to the one he affected in movies such as "Mammy." Jolson and Jessel ended the segment with a parody of "Camptown Races." Unfortunately, two verses are cut in this AFRS version. Hopefully, the whole show will turn up somewhere.

To close the show, a song I've heard others do, but never like Jolie could, "Without A Song."